Showing posts with label Grateful Dead. Show all posts
Showing posts with label Grateful Dead. Show all posts

Wednesday, March 16, 2011

R.I.P Owsley Stanley

"I always trusted what happened on acid. Everything that happens to you on acid is real. Everything you see is real, everything you experience is real, everything you think about is real. The thing about it is, that a lot of the stuff you see is not stuff you see when you're straight, because when you're straight you're limited. The acid removes the "filters" and lets the noise through. That "noise" is as real a part of the universe as the other part that you do allow to pass through, it just hasn't been important for you. That's a survival issue, we discard a lot of sensory information to make our daily lives simpler. When you open those floodgates and let it all pass, you let in a lot of stuff that's as real, and often more interesting than the stuff you usually let through. The patterns that you see when stoned, for instance, are an artifact of the way the nerves in your eyes are arranged and mapped into the brain. Beautiful noise!

...Psychedelics are a gift of nature that brings tribalism to people; they bring an understanding of the ecology of the planet and the interaction of all living things, because that's one of the first things you become aware of when you take psychedelics--how everything is alive and how everything depends on everything else. You go take a look at every indigenous culture that has a respect for its environment -- unlike the hierarchical approach of the feudalistic structures that the world is now run by -- and you will find that these people use psychedelics of some sort, usually in a regular, ritualized manner.

The music of the Grateful Dead is an important assistant to the revival of tribality. Because it has to do with the way things are. It's not somebody's idea about the way things might be, or the way things could be or should be. It's what it is. It's real music about real things. The whole thing is about a social movement. It's tribalism. Which is the only social structure that is truly human. The structure of the world today runs on feudalism--governments, companies; all those structures are feudalistic, arranged in a hierarchy which at the root of it follows Parkinson's law. That is, once you create a hierarchy or bureaucracy, it has only one purpose, and that is: To Continue. There's nothing else. But that has nothing to do with the tribal entity. The tribal entity exists so as to abide in harmony with its environment. It's something that benefits everyone, not just this one structure." -- Bear.

Tuesday, August 3, 2010

Rhtym Devils - Flagstaff, AZ - July 27, 2010

Smokin' hot show at the Orpheum in Flagstaff last Tuedsday night. Pouring rain outside, burning fire on the inside. Check the setlist. Keller, Andy Hess, Davie Knowles (CRUSHED IT), Sikiru Adepoju, Mickey & Bill. Kickass rock! *LOOSE LUCY* ripped.

July 27 - FLAGSTAFF, AZ - Orpheum Theater

SET 1
CUMBERLAND BLUES
UNCLE JOHNS BAND
STRANGE WORLD
SO MANY ROADS
BO DIDDLY
FOUNTAINS OF WOOD
FIRE ON THE MOUNTAIN

Set 2
GOOD LOVIN
LOOSE LUCY
THIS ONE HOUR
EASY WIND
COMES THE DAWN
MOUNTAINS OF THE MOON
WRECKING CREW
SEE YOU AGAIN
NOT FADE AWAY

ENCORE
RIPPLE
ALMOST CUT MY HAIR

*post-show drum circle with Mickey, Keller, Sikiru

Tuesday, April 13, 2010

Wednesday, March 17, 2010

Grayfolded

Realead in 1995, this album was brought to my attention by good-buddy Dave who was at the Univ. of Wisco at Madison at the time. I ran into a copy up at school, and was blown away at the time. 15 years later, I finally downloaded the thing from Amazon.com yesterday. The original release was on 2 compact discs, Transitive Axis, and Mirror Ashes. This thing blows Infrared Roses out of the water. More on the album below repopsted from David Dodd's "Annoted Grateful Dead Lyrics" website.

Not exactly a cover, not exactly a recording by the Dead, are John Oswald's Grayfolded CD's. Here's a review of them by Rob Meador:

Here's the lowdown on Grayfolded:

John Oswald has been experimenting with a process he calls 'plunderphonics' for some years now. He takes music, and plays with it by transforming the various elements-- slowing things down, speeding them up, layering strange things on top of one another, etc. His several CDs (never for sale and skirting the edge of liable) have been avidly collected by people like Gans, who turned Lesh onto it. In Oswald's own words-- "Plunderphonics is the taking of familiar music and making it strage, or, in another word, new."

Lesh and Gans convinced the rest of the band to let Oswald into the vaults to plunderphonicize the Dead (then they convinced Oswald to do it-- he was reluctant at first). At first, he wanted to work with Dark Star and The Other One, but as the project went on, he realized that Dark Star was a handful, and he concentrated on that. Oswald again: "As I mentioned earlier, plunderphonics usually entails taking what seems to be normal music and making it strange. But with Dark Star, since it often is strange to begin with, the task is inevitably different. Because I've so often heard that the experience of a Dead concert has never been translated to record in a satisfying way, I decided to attempt to make that translation."

He took digital copies of about 51 Dark Stars from 1968 to 1992 (including an acoustic version!), and used them as his material. Two CDs are the result-- one 59 minutes, the other 46 minutes long. In his own words again: "With Dark Star I felt like orchestrating the Dead-- having multiple verions of the band superimposed in vertical layers, so you'd have the Grateful Dead Orchestra for the nebulous sections of the song, which would be interspersed with smaller ensembles." (The above facts and quotes taken from the CD booklet)

The result of all this is stunning. You have multiple Jerry's, sometimes playing at the same time, and sometimes in the same lead. For example, you might hear a line start with what is obviously a 1969 Jerry, and end with an obvious 1989 Jerry. The same with the rest of the band. He really captures the nuances of Dark Stars in general, and there are wondrous, surprising, and very funny things going on. I love Dark Star, and I was leery lest this be awful, but it's not. It really holds the spirit of Dark Star, and is a wonderful testament to the originality and depth of the Dead's music through the years. Highly recommended!

Tuesday, March 16, 2010

Shall we go?

Rosie

spinning a set the stars through which the tattered tales of axis roll about the waxen wind of never set to motion in the unbecoming round about the reason hardly matters nor the wise through which the stars were set in spin

...and sing me a song of my own...

El Tigre
Black muddy river
Roll on forever
I don't care how deep or wide
If you got another side
Roll muddy river
Roll muddy river
Black muddy river roll

Friday, February 12, 2010

Furthur!

I'll have to admit that I was a little skeptical when I first heard about this tour. Turns out that tickets in Denver will be $50 each, and it's a GA show. Two nights in March - Friday/Sat 3/5&6. Check info here: http://www.furthur.net/

I have the stream from the show two days ago at the "Set of the week". Listening now. We'll see - this may be worth the roll out to Denver.

Saturday, May 30, 2009

Dead Set

Check this out from the Forum the night after we saw them in Denver.



Monday, May 11, 2009

Dead Set in Denver.

Here's the setlist from Thursday night. I felt that it was a solid, bluesy ROCKFEST! Warren Haynes tore shit up with the early Loser> Easy Wind. Ass kicking *ROCK* for sure! This was directly after the Casey jones sing-a-long that totally upped the vibe inside the venue. The Weight killed, and the rest of the second set was dreamland for sure. I'll have to listen to the show again for final word on the cumberland blues. I thought it rocked, but that was pretty late in the set for an objective opinion ;-).

(Set 1)
Feel Like A Stranger
Casey Jones
Loser
Easy Wind
Crazy Fingers
Lost Sailor>
Saint Of Circumstance

(Set 2)
Deep Elem Blues (Acoustic)
Me and My Uncle (Acoustic)
Whiskey in the Jar (Acoustic)
The Weight (Acoustic)
Space>
Ramble On Rose>
King Solomon's Marbles>
Space>
Drums>
China Doll>
Cumberland Blues>
Not Fade Away

(Encore)
Ripple